colour / color cinematography
colour/
color
cinematography Early attempts to show motion-pictures in
colour included projecting successive frames through red
and blue-green filters (Kinemacolor,
1906), or
optically superimposing three separate colour images on
projection (Francita, Opticolor,
1930-7, Dufay
mosaic,
1931-40), but none was very successful. In 1932 Technicolor introduced
a three-colour camera exposing
three black-and-white
separation colour negatives, with prints in
three-colour dye-transfer which became the dominant medium
for professional colour cinematography until Kodak produced their masked Eastmancolor
negative. By
1955 the three-strip camera was obsolete, but dye-transfer
printing continued into the 1970s. Eastmancolor negative/positive
films opened the way to a
vast expansion
of colour cinematography, and similar materials are
now manufactured worldwide. >>
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